4 monitors
Waveform, RGB parade, histogram, vectorscope. Plus L/R audio meters with dB markers.
Flowcut is a full NLE — multi-track timeline, color grading, LUT support, speed ramp, four scopes (waveform, parade, histogram, vectorscope), command palette — running in your browser tab. FFmpeg.wasm for encoding, Web Audio for the audio engine, Canvas 2D for the preview compositor. Zero install. Zero upload. Zero watermark. Free for everything that runs on your device; AI is paid in credits.
Video, audio, image, text tracks. Cross-track drag with media-type compatibility. Cmd+K cut. Cmd+D duplicate. Resize handles, ruler with tick marks, draggable clips, cyan playhead with timecode tooltip.
Exposure, contrast, saturation, temperature, tint. .cube LUT import + 3 built-in presets (Cinematic, Vintage, High Contrast). Pro presets: Teal & Orange, Bleach Bypass, Film Noir.
Waveform, RGB parade, histogram, vectorscope. Plus L/R audio meters with dB markers.
23 actions, fuzzy search, keyboard nav. The Linear-style command bar, in a video editor.
The broadcast NLEs have decades of plugin ecosystem, dynamic links to their motion-graphics siblings, and team workflow features that take years to build. The colour-first suite has the best color page in the industry and a full audio post-production stack. Flowcut is competitive on cut, color, and basic post for any creator-level workflow today, and the parity scorecard at the wiki names every gap explicitly. For YouTube creators, social videos, marketing reels, and most documentary post, Flowcut is browser-native, watermark-free, and roughly two orders of magnitude cheaper.
Yes. FFmpeg.wasm for encoding, Web Audio for the audio engine, Canvas 2D for the preview, WebCodecs where supported.
Yes on Pro. 4K export is gated to Pro because rendering 4K in the browser is memory-intensive.
No.
No, on free or Pro.